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Check this Discussion Group

http://pub47.bravenet.com/forum/3962925981/

Should I choose Wireless or Wired Cameras for my security system?

There are many retailers offering wireless cameras these days, and boasting about the range, and quality as well as the ease of installation of these cameras...However, they neglect to inform you of the MAJOR FLAWS of a wireless camera system!

Wireless cameras are
not secure! These cameras are easy to install, but they can allow a professional, or even an amateur who has a few dollars and access to a Radio Shack® store, to see inside your house or business, and case the robbery from the outside.

This defeats the purpose of a Security Surveillance System!!!
Now you never know who is watching you on your own cameras!

These cameras operate on very crowded frequency bands which can be interfered with by a Mobile Phone, Wireless Access-Point, Wireless Network Card, or many other wireless devices. This also demonstrates how easy it is to disable the camera system from outside of your home or business.

Wireless cameras are not stable. The pictures flip, and the least disturbance in the area, such as a person walking by the receiver can disturb the picture.

Finally, the wireless cameras broadcast on the same frequency. You can only have one wireless camera in an area. There are multiple frequency cameras that come with multiple frequency receivers, but not only do the cost 3-4 times more, they are also not reliable, and suffer from channel drift as the video from one channels drifts into the next.

In our our experience a
Wired Surveillance System is the only solution!.

CAUTION - You can only have ONE WIRELESS CAMERA in an area, as they broadcast on the same frequency. If you have two or more, all you will get is noise when you go to view them on your monitor.

There are cameras that are multiple frequency cameras, and they require multiple frequency receivers. The start in price at $120.00 US each. They are limited to 4 channels, Unfortunately, apart from being expensive, they also suffer from channel drift, as the signal from one channel drifts into the other channels. Not an ideal set-up at all.

There is one really good reason to purchase a wireless camera. That is for its ability to be set up quickly without stringing wires. So we suggest you consider, 3 wired cameras and one wireless camera to take advantage of this capability to move one camera around easily, without compromising the entire set-up.

Interesting Wireless Story

DuncansOnline,
I owe you you guys an apology.  I was raised that if you make a mistake, you admit to it and take your lumps. 

I finally found enough time to work with the camera set, it’s a quiet Sunday.  If you remember, I was trying to set it up so we could monitor Main St. from the police station.  I mounted the camera on
a  phone pole within visual sight of the station, about 80-90 feet away.  Both DIP switches were set on 2.  As I told you before, I got a VERY distorted video and audio.  I put the receiver in my police car and used a power converter to run it and drove up and down Main St.  The signal would get better and worse and seemed to have images that I had no idea what they were. 

I finally got disgusted and unplugged the camera and….. Voila.  I got a steady, clear picture.  Of what, I had no idea.  With some detective work, I was able to determine that I was seeing the front door of an antique shop on Main St., from the inside.  Yes, I saw the camera inside.

Now, I ask you, what are the chances that there would be another wireless camera running, in the same area, on the same 2.4g frequency, WITH THE DIP SWITCHES SET THE SAME!!!!

I changed my switches to 4 and the camera set works perfectly.

Do you feel sorry for me a little?

Again, I’m sorry for the confusion and tense moments.

K - cop


Frames per Second

Most DVR capture cards are 30 frames per second cards. (NTSC - North American Video Standard) When they are being used to run PAL cameras (European Video Standard) the frames per second rate is 25.

If you attach one camera to the card then it will view and record at 30 frames per second. If you attach two cameras, that resource is shared between the two cameras, and you can view and record at 15 frames per second. If you attach four cameras, then you can view and record at 7.5 frames per second.

Why frames per second is NOT THAT IMPORTANT!!!!

Well, it is, if you are using the card to study the mating habits of hummingbirds!

But we believe that the object in good surveillance is to be able to obtain high quality images that you can email to the police, print out on your color inkjet, and that can be used to prosecute an offender.

When you are running four cameras on a 30 fps card, an illegal act that takes 1-2 seconds, will produce 7 - 15 pictures that you can use to prove your case to the police!!!

A 30 fps card is by far your most cost effective choice for professional surveillance. If you absolutely need higher frame rates, consider buying more than one card, and then you could have up to 4 cards in one machine, driving 4 cameras, each with 30 frames per second viewing and recording.

As soon as you go to the internet viewing, however, your frame rate will drop again, because the internet slows down the process.

Bottom line, 30 frames per second total resource is most likely all you need in 95% of the time you need surveillance.

Want to drive   8 cameras - Purchase 2 cards - you need 2 PCI slots
Want to drive 12 cameras - Purchase 3 cards - you need 3 PCI slots
Want to drive 16 cameras - Purchase 4 cards- you need 4 PCI slots



What is a LUX in the camera rating?

To see properly, a CCTV camera requires a certain amount of light produced by natural or artificial illumination. B/W cameras work with any type of light sources, but color cameras need lights that contain all the colors in the visible spectrum for best color imaging.

The amount of light is defined by LUX (Lumens per Square Meter). One LUX is one candle light volume at one meter distance. Followings are some examples of natural lights expressed in LUX.

Natural LUX Examples
Full daylight:
10,000 LUX
Very dark day:
100 LUX
Twilight:
10 LUX
Deep twilight:
1 LUX
Full moon:
0.1 LUX
Quarter moon:
0.01LUX

View the LUX ratings of your camera to determine the LUX necessary for your application.